Picton
A live-action production enhanced with AI-generated characters, set extensions, and VFX to create a larger, more immersive world.
CLIENT •
PICTON
A BEAR AMONG US
CATEGORY •
HYBRID
A BEAR AMONG US 30
DESK 15
ELEVATOR 06
01 / THE BRIEF
Building a
bigger world
The campaign needed to feel like a fully populated office ecosystem (and a little bit like a zoo): rows of cubicles, repeating workers, parrots perched on nearly every shoulder, and a bear moving through the space as if it belonged there.
We started with a practical office location and a limited number of talent, then expanded the world through a hybrid production pipeline combining live action, AI-generated animals and performers, matte painting, 3D, compositing, color, and finishing. The goal was not to make the AI visible. It was to make the impossible feel photographed.
02 / HYBRID PRODUCTION
Shot for real, Expanded in post
Using AI alongside traditional VFX, we extended hallways, workstations, and architectural details to create the feeling of a fully occupied corporate campus. Every extension was designed to match the perspective, lighting, and production design of the original photography. The result is an environment that feels significantly larger than what was physically built without revealing where the practical set ends and the digital work begins.
GRADED PLATES OF LIVE ACTION OFFICE
03 / DIGITAL PERFORMERS
Animals The Camera Had To Believe
For the parrots, we captured on-set reference of a real macaw to study color, feather detail, posture, scale, and movement. For the bear, we developed character references that established anatomy, fur, expression, and physical presence. Those references helped us generate animals that could hold up across multiple shots, lighting conditions, camera angles, and interactions with the live-action performers.
CHARACTER REFERENCES
04 / BEFORE + AFTER
Invisible AI, visible craft.
Every shot began with a practical foundation. From there, AI and traditional VFX were used to expand the world, integrate digital characters, and refine each shot without sacrificing the realism of the original photography.
BREAKDOWN VIDEO
05 / PIPELINE
A hybrid workflow
from shoot to finish
01
ON-SET SUPERVISION
02
REFERENCE CAPTURE
03
AI CHARACTER CREATION
04
COMP + EXTENSIONS
05
COLOR + FINISHING
This wasn't about replacing production. It was about building a smarter production model around it; combining live action, AI, visual effects, and finishing into a single creative pipeline.
AI was used where it created the most value: integrating digital animals, expanding crowds, and extending environments beyond what was practical to build. Every shot remained grounded in traditional filmmaking, with the final campaign shaped by artists across production, post-production, and finishing.
Live action gave us the world. AI helped us expand it.
Picton - A Bear Among Us
Live action gave us the world. AI helped us expand it.
Picton - A Bear Among Us
05 / PIPELINE
A hybrid workflow
from shoot to finish
01
ON-SET SUPERVISION
02
REFERENCE CAPTURE
03
AI CHARACTER
CREATION
04
COMP + EXTENSIONS
05
COLOR + FINISHING
This wasn't about replacing production. It was about building a smarter production model around it; combining live action, AI, visual effects, and finishing into a single creative pipeline.
AI was used where it created the most value: integrating digital animals, expanding crowds, and extending environments beyond what was practical to build. Every shot remained grounded in traditional filmmaking, with the final campaign shaped by artists across production, post-production, and finishing.
04 / BEFORE + AFTER
Invisible AI, visible craft.
Every shot began with a practical foundation. From there, AI and traditional VFX were used to expand the world, integrate digital characters, and refine each shot without sacrificing the realism of the original photography.
Explore the breakdown and interactive comparisons below to see how live-action plates evolved into the final campaign.
BREAKDOWN VIDEO
03 / DIGITAL PERFORMERS
Animals The Camera Had To Believe
For the parrots, we captured on-set reference of a real macaw to study color, feather detail, posture, scale, and movement. For the bear, we developed character references that established anatomy, fur, expression, and physical presence. Those references helped us generate animals that could hold up across multiple shots, lighting conditions, camera angles, and interactions with the live-action performers.
CHARACTER REFERENCES
02 / HYBRID PRODUCTION
Shot for real, Exapanded in post
Using AI alongside traditional VFX, we extended hallways, workstations, and architectural details to create the feeling of a fully occupied corporate campus. Every extension was designed to match the perspective, lighting, and production design of the original photography. The result is an environment that feels significantly larger than what was physically built without revealing where the practical set ends and the digital work begins.
GRADED PLATES OF LIVE ACTION OFFICE
The campaign needed to feel like a fully populated office ecosystem (and a little bit like a zoo): rows of cubicles, repeating workers, parrots perched on nearly every shoulder, and a bear moving through the space as if it belonged there.
We started with a practical office location and a limited number of talent, then expanded the world through a hybrid production pipeline combining live action, AI-generated animals and performers, matte painting, 3D, compositing, color, and finishing. The goal was not to make the AI visible. It was to make the impossible feel photographed.
01 / THE BRIEF
Building a
bigger world
ELEVATOR 06
DESK 15
A BEAR AMONG US 30
CLIENT •
PICTON
A BEAR AMONG US
CATEGORY •
HYBRID
Picton
A live-action production enhanced with AI-generated characters, set extensions, and visual effects to create a larger, more immersive world.